Overkill - Horrorscope
Overkill's Horrorscope was one of my first introductions to thrash metal back in 1991. The others were Exodus' Impact is Imminent, Slayer's Decade of Aggression and Forbidden's Twisted into Form. It was a pretty good year as I remember. Horrorscope has haunted my memory since. From the captivating opening notes to the final brilliantly melodic Soulitude I was hooked. The music captured a certain atmosphere and I quickly got used to Bobby "Blitz" Ellsworth's unique and powerful voice. 
 
Coma is a brilliant opener. Its atmospheric intro sets the mood and when the heavy gutar riff tears through the air it's a great feeling. The song is often fast and furious but takes time to breathe, giving the ultra heavy moments more impact. Nearing the end the song goes into overdrive with Mr. Ellsworth  delivering a masterful scream as he drags out the ending of the last chorus. It's übercool touches like these that rise the album above the rest.
 
The album is filled with great songs, all built upon heavy riffs, an open invitation to headbang along. The band has an Infectious enthusiasm that grabs you by the throat and doesn't let go. Ellsworth's vocals have a special charm and bass,  drum and guitar work is top notch. Well played with a strong groove that makes it hard to sit still while listening. The songs have a great way of evolving, rising in intensity and peaking with some very powerful moments. A hint: The louder this album is played the better.
 It's also clear that many of these songs will benefit even further from a live situation.
 
Blood Money opens with a tension building crescendo of drums, bass and guitar. The song speeds off at high velocity and evolves in an interesting way through its four minutes. The song peaks through the excellent "Liar"-chorus passages.
 
Thankx For Nothin' shows no remorse and continues in an uncompromising way. The vocal interplay in the chorus works well. Again the song builds throughout and peaks in the final chorus with a wailing guitar solo underlining this.
 
Bare Bones throws a haunting piano intro to the mix. It adds to the heaviness and gives the song a bit of diversity before it speeds off down thrash lane. The guitar solo is quite excellent and adds a strong sense of urgency to the song.
 
Horrorscope, the title track is a slow, ultra heavy piece of ominous music. It's a fantastic song that harbors a captivating atmosphere. The riffs are mean and drawn out, the drumming is power packed and the vocals are intense. Along with Coma it was one of the songs that drew me into the album initially.
 
New Machine shifts one gear higher. There's a great groove in the verse section and the intensity increases during the bridge. Ellsworth sings excellent and adds many details. My favorite is the way he emphasizes "Love" in the first bridge section. Another superb song.
 
Fronted by a groovy instrumental cover version of Edgar Winter's Frankenstein, Live Young, Die Free quickly gets back into the fray. It's the only song on the album that is somewhat anonymous.
 
Nice Day.. For a Funeral stands out. The entrance to the first verse is excellent and throughout the song the music holds a strong atmosphere. It is given time to breathe through a memorable chorus and a great instrumental middle section.
 
The song fades into Soulitude which continues with an atmospheric guitar solo. As the first verse gets underway there's a growing intensity which rises until the explosive chorus arrives. This section is a highlight of the entire album. Ultra heavy and infectiously melodic at the same time. Ellsworth spits out the words with an enraged venom. Pure brilliance ends the album and as dead silence ensues I can't help but press the back button and hear this song one more time.
 
Horrorscope is an intense experience. Make sure you get it.

Written by Steen
Sunday, February 28, 2010
Show all reviews by Steen

Ratings

Steen: 8/10

Members: 7.5/10 - Average of 1 ratings.



Member ratings

Profile picturenotrap

Rating: 7.5/10
Horrorscope was the first Overkill record without their debut guitar player Bobby Gustafso... · Read more ·

This article has been shown 2952 times. Go to the complete list.



RevelationZ Comments


Review by notrap (Member) - Sunday, October 17, 2010
Profile picture

View Profile


Comments: 55
Ratings: 66
Horrorscope was the first Overkill record without their debut guitar player Bobby Gustafson and it's somehow the beginning of a new era for the New Jersey Thrash Metal legends.
This mark II line-up released a solid record.
Horrorscope don't have a hit song like Hello From the Gutter, Elimination or Powersurge but like I said it's solid, balanced and definitely a must have.

Rating: 7.5/10

Posted by notrap
Sunday, October 17, 2010










Review by Steen

Released by
Atlantic - 1991

Tracklisting
1. Coma
2. Infectious
3. Blood Money
4. Thanx For Nothin'
5. Bare Bones
6. Horrorscope
7. New Machine
8. Frankenstein
9. Live Young, Die Free
10. Nice Day... For a Funeral
11. Soulitude


Style
Thrash Metal

Related links
Visit the band page

Overkill - Official Website

Other articles
Wrecking everything - (Steen)

RelixIV - (Hashman)

Ironbound - (Steen)



Z supported shopping






Ratings
1 - Horrifying
2 - Terrible
3 - Bad
4 - Below average
5 - Average
6 - Good
7 - Very good
8 - Outstanding
9 - Genius
10 - Masterpiece
666 - Unrated

More details...


Daily Spotlight
Elegy - Labyrinth of Dreams (Reissue)
CoverHaving sold more than a quarter of a million albums in their career, it often seems that the Netherlands pro....
Read full review















Retro Reviews

(Tommy)
D:A:D - Helpyourselfish
Cover"Now, my word no one relies on Never said a foolish thing. Then again... never said a wise one It is never what you think - it's knowing when to quit If....
Read full review






(Alanna)
Whitesnake - Whitesnake
CoverWhitesnake's self titled album is likely one that is taking up space on your shelf but hasn't been dusted off for awhile. I would know, because my copy had largely suffered the same fate until recentl....
Read full review








Archive
 · Albums of the month
 · Retro Reviews
































Back to the top - © 2002-2011 RevelationZ Magazine - Back to the top